Vol. 2 No. 5 (Nov. 1, 2004) Page 2

IN THIS ISSUE:

DVD Review
Page 1
Page 2

Page 3

Jeremy Arth:
"Close, But Not Touching"
Page 4

Page 5

The Bootlog
Page 6

Fan Profile / What Lurks Below
Page 7

True Experience:
New Orleans
Page 8

The Reviews
Page 9
Page 10
Page 11
Page 12
Page 13
Page 14

Page 15
Page 16
Page 17

Friends of Ezra
Page 18


News & Links
Page 19

Map of Ezra
Page 20

TTOY Hall of Fame
Page 21

BTE Impressions
Page 22


THE ARCHIVES

Volume 1

Mar. 2003
May 2003
July 2003
Sept. 2003
Nov. 2003

Jan. 2004

Volume 2
Mar. 2004

May 2004
July 2004

Sep. 2004

 

 

DVD REVIEW (CONT'D)

Recognize (Cont'd)
The song has become a very respectable opening tune, particularly with the high bluesy opening notes with cymbals they’ve added to it. In this case, see how KG leans into that final note and as it resonates, he looks around to the rest of the guys, as if to say: "Ready guys? Let’s do it."

And we’re off! The song kicks nicely into high gear. The addition of the Horns D’Amour (Mark Mullins on trombone and Eric Lucero on trumpet) give the song an added one-two punch. And as many message board posters have pointed out, you can actually hear Jim Payne’s rocking guitar in the mix. So often at a live show you can see him, but you can’t hear him.

As for stage moves, Kevin does a little "slow motion" walk and a mid-song pirouette (when was the last time you saw that word in a rock review!). It’s frustrating for fans not to see and hear a cover of Depeche Mode’s "Personal Jesus" during the breakdown portion of the tune, but I’m sure there’s very good (financial) reasons why it’s not on there. Nevertheless, this moment does allows the camera a close-up of Jim "tickling the ivories." This is a view fans have sadly never seen before. As Travis crashes the cymbals, the song concludes with everyone in high gear.

Misunderstood
Travis’ deft change over to a simple beat allows KG and Tom time to change their "axes" and prepare for "Misunderstood." Jim Payne then adds the signature keyboard notes.

Why wasn’t this song a hit single? It’s a great rocking tune about (allegedly) a great rocking lady. This is BTE’s power pop at it’s best. Did you see how Tom slowly walks by the front of the drum kit and he and Travis exchange an "oh yeah!" look? They’re in the groove now. Later on he looks a little apprehensive, perhaps feeling the attention of the camera. It can’t be a comfortable feeling knowing there’s several cameras recording your every move for posterity! Nevertheless, he deftly manages the "finger point" before the bridge of the song.

Good
Kevin’s falsetto outro to "Misunderstood" makes the beginning of "Good" -- started with Travis’ staccato drumbeat – even more dramatic than usual. Travis glances over at Jim for another "Oh yeah!" moment. Tom is enjoying the song so much he does a series of jumps at one point.

The energy that this song brings to both the band and the crowd is unmistakable. It’s great how to the camera comes in and moves out over the crowd. Seeing the shots from the crowd area toward the stage, I’m also thinking I’d probably have blocked an entire camera if I had been present!

  Rolling
After a "rock ending" for the previous song. Travis kicks immediately again into a steady beat. KG welcomes the crowd and gives some serious props to the "piano talents, the prowess of James Arthur Payne Junior and the drumming talents of Travis Aaron McNabb" as "Rolling" begins. "Uncle" Mike Keel also lends a hand on guitar.

I must confess, I never liked "Rolling" as a purely guitar-oriented song. My opinion totally changed when it revealed its true self on "Closer" with cool keyboard parts and backing vocals by Toddy Walters. And this live version has the added bonus of the Horns D’Amour. I’ve never appreciated KG singing along with the guitar solo during the song, but the addition of the horns make that right this time around.

"Rolling" is another great tune from "Closer" that should have been a single. We can only hope that one day it gets its due even if it is only in a car commercial. Maybe when the Cadillac people stop using Led Zeppelin’s "Rock ‘n’ Roll?"

Live Again
Voted "Best Live song" in the Ezzie’s Poll, this tune never fails to rock. It’s nice they included footage of KG explaining the song, as he self-consciously scratches his chin. Sure the song is about lost love and the pain associated therewith, but for some reason for me since the September 2001 show at B. B. King’s in New York City, it’s all about the fateful events of September 11th as the stage is bathed in blue mood-lighting.

Either way, it’s a fan favorite that demonstrates just about every aspect of the BTE live experience – e.g., mellow, thoughtful and rocking. KG is in fine voice, isn’t he? And how great is it to see Travis counting off the beats before he comes in. It’s cool how Kevin takes a moment to shake the hands of fans during the song too.

And what can I say about Tom’s bass solo? As usual he does an outstanding job and seems carried away with the moment. Ode difference between the DVD and Live CD is that the delay effect on "Moonlight illuminates your stare" is amplified on the later, possibly reflecting the differences in the media.

Allison Foley
I know some people do not like this song, but I dare you to repeat that statement when the song has the benefit of the Horns D’Amour. The song demonstrates the magic of "How Does Your Garden Grow." That is, the mixing of an experimental album with a traditional New Orleans sound. What a treasure. And we all have our very own "Allison Foley," don’t we? I sure do.  Can you tell the guys love playing this song? Ya think?

Get You In
This song is one of the several gems from Closer that should have been a radio hit.  And it's placement here shows how BTE can be rocking one second and offering a tender ballad the next.  And it's a real accomplishment that a live version of the song will be included on a forthcoming benefit CD for Burmese  Human rights activist Aung San Suu Kyi.

Extra Ordinary
I have a friend who disliked this song for a long time. A while back he confessed to me he's actually come to like it.  I'm sure hearing live versions of the song had something to do with it.  Sure it's a simple song, but it's got a catchy beat and got a serious amount of radio play when its was the first (and only) single off Closer.  And you can see from this rendition, both the band and the crowd get into the song (more on page 3).