Vol. 2 No. 5 (Nov. 1, 2004) Page 15

IN THIS ISSUE:

DVD Review
Page 1
Page 2

Page 3

Jeremy Arth:
"Close, But Not Touching"
Page 4

Page 5

The Bootlog
Page 6

Fan Profile / What Lurks Below
Page 7

True Experience:
New Orleans
Page 8

The Reviews
Page 9
Page 10
Page 11
Page 12
Page 13
Page 14

Page 15
Page 16
Page 17

Friends of Ezra
Page 18


News & Links
Page 19

Map of Ezra
Page 20

TTOY Hall of Fame
Page 21

BTE Impressions
Page 22


THE ARCHIVES

Volume 1

Mar. 2003
May 2003
July 2003
Sept. 2003
Nov. 2003

Jan. 2004

Volume 2
Mar. 2004

May 2004
July 2004

Sep. 2004

 

 



 

 

PHANTOM OF THE OPERA HOUSE
Macon, GA
Thursday, September 30th, 2004
by Laura Leigh (aka HollyGoLightly)


Will Hoge and Friends
(Photo: Laura Leigh)

Macon, Georgia is home of legendary rock greats the Allman Brothers Band, Little Richard, Otis Redding, and Brian Lasson.   Ok, so maybe you probably haven’t heard of Brian yet, but I have no doubt that you will some day will. Brian is lead guitarist for the illustrious Mr. Will Hoge and his ensemble of musically inclined ne’er do wells.

While I’ve seen Will Hoge play several times, this was the first time that I got to see him open for BTE.  Will had opened for the guys a couple of times at the HOB in New Orleans.  And he was positively thrilled about the prospect of opening for BTE again. 

This was the first time I’d seen Will’s new keyboard player. Over the past several months, Hoge’s band has made several lineup changes.  These changes included adding both a new drummer and a bass player, but I was
unaware of the new keyboard player.  The culmination of these five guys makes for an incredible sound. Will, adorned in a Doors t-shirt, blazer, and sans beard looked altogether too precious as he opened with “Fool Again.”

From there, Will went on to play “Secondhand Heart” and “King of Grey.”  He dedicated the latter song to Macon’s own Otis Redding.  He even sang the end of the song without a mic. As he continued, Hoge commented on the venue, an old theater, with balconies, lights, and an overall spooky feel. He told the crowd to pause for a moment and soak up all the atmosphere.

Hoge and band went on to play “Ms. Williams,” followed by a song that was written after a long night and a frustrating relationship entitled “Lonely Tonight.”  At was at this point in time when the crowd not only seemed to be enjoying Hoge’s antics, but also started relating to his lyrics.

Will got tickled a little before launching into another song.  He couldn’t seem to find the end of his cable.  He informed the crowd that “We’re all a bunch of semi-professionals” and warned the Mercer students to stay in school or end up just like him.

As Hoge announced the next song “Someone Else’s Baby,” the audience laughed.  Will paused and said that no one had ever had that reaction to the song before and that he didn’t mean the title of the song to be taken in the “paternity sense.”  Giggles continued as Hoge remarked “Girl, it ain’t my baby.”  He then joined in
the laughter as he told the rest of the band to remind him to call Outkast later and share his idea.

Still chewing gum and swallowing lots of Gatorade, Hoge once again won my heart over as he busted out a tambourine on a new song and taught the crowd how to do the “Nashville Clap.”  He then shared the story behind the inspiration for the song “Not that Cool.”  One night, Hoge was watching a guy sitting in a bar as
he hit on all of the quasi-attractive women.  Will
made fun of his cheesy pickup lines, but as he pointed out, in the end the guy went home with someone and Will remained alone at the bar.  Of course, he did say that he finds solace in the fact that the song that came from that night will probably last longer than the guy’s relationship.

Will next started to wind things up with “She Don’t Care About Me” and threw in a couple of cover song snippets.  Hoge said that the last verse of the song was about those girls who are given cars, clothes, and other things by their fathers even though they don’t care about them. Hoge then ended the set with a song mined from the same vein, “All Night Long.”

If you hadn’t had the pleasure of experiencing a Will Hoge show yet, please, please, please do so very soon.  He is well worth it.  And you can start off slowly by checking out his website.


Travis Rocking a Recent Show
(Photo: Ree)

  Before Better than Ezra took the stage, I was heavily talking up Will Hoge with all those around me (well, all those who would listen).  My chattering was soon interrupted with the opening strains of Queen’s “Fat Bottom Girls.”

Unfortunately, my fellow Ezralite Nova and I were the only ones who knew that this song meant that BTE was only moments away from taking the stage.  And we were the only two in the whole theater who started to jump with excitement. Even though I was annoyed with the police officer between us and the stage, who wouldn’t let us take photos, I did appreciate the fact that he sang along to Queen.

Better than Ezra started the show with “Recognize” and followed it up with “Misunderstood.”  For the first time that night, the entire population of the Opera House found themselves on their feet as one. “Rosealia” came next, complete with the spectacular James Arthur Payne ending.

Before launching in to “Live Again,” Kevin talked some about the talented Mr. Jim Payne. Kevin stated that Jim commands the stage like the stars of old and that Jim’s greatest talent is his ability to make the most complex sound seem simple.

After “Live Again,” Kevin gave extra props to soundman extraordinaire Brian.  Apparently Brian either broke or dislocated his pointer finger while unloading that afternoon.  He did visit the Macon ER, but Kevin said that they weren’t much help, as they all seemed preoccupied with watching “Scrubs.”

Tom then began to tease Brian a bit, but was stopped short when KG reminded him that Brian would turn off his mic if he wasn’t careful.  Kevin said that one should never screw with the front of house guy because he can “neuter you.”  Kevin told Brian that he was sorry that he couldn’t be of more help and that he didn’t have any Vicodin because he was “high on life and playing the Opera House.”

“At the Stars” and “Extra Ordinary” came next.  Kevin gave a special thanks to the Opera House’s light man after “EO.”  Tom proceeded to talked some about the DVD release of “BTE Gone Wild.” As I’d actually gotten my copy of the DVD in the mail that day I was looking forward to having the guys sign it later.


A Classic Tom Pose With Our Reporter
(Photo: Laura Leigh)

Kevin added the “Debra” breakdown in “King of New Orleans.”  I had my fingers crossed that he would as I’ve missed it at the past couple of shows I’d attended.  And my heart skipped a beat as he pointed to me on the “sister” part.  I don’t know why, but that never fails to thrill.

“Good” followed “KONO” and then a quick and surprising “R3wind.”  It’s always great when this song makes the setlist.  Kevin paused to give mention to the HUGE, upcoming SEC game at UGA (that would be LSU vs. UGA).
He stated that he was split between both sides, as his dad was a UGA grad.  However, Kevin said that the best man always wins and that he knew it would be a tough time for LSU in Athens as UGA would be seeking revenge.

“A Lifetime” followed and then KG waxed poetic about the “Phantom of the Opera” feel that the venue had.  He said that if they’d had more time, they would’ve made a papier mache gondola for Tom to ride in on.

During “This Time of Year” KG included Outkast’s “Whole World” in a breakdown.  Before selecting a guest guitarist, Kevin explained that the “chosen one” had to be able to do more than eek out “Your Body is a Wonderland.”  Daniel, a guy in khaki shorts and a button up shirt ended up being the KG selected
guitarist for the night.  Kevin teased him and said
that he could see that he was dressed for “rock n’ roll.”

Daniel began to untuck his shirt and unbutton it until Kevin told him to stop and button one back,
because he’d “gone too far.”  According to Kevin, Daniel “has his shirt untucked and he’s shaking his butt.”  “Desperately Wanting” with Outkast’s “Must be the Money” rounded out the set-list nicely.

As the guys reclaimed the stage for the encore, Tom mentioned the DVD one last time.  And after a unexpected and charming encore set of  “Allison Foley” and “Get You In,” yet another wonderful BTE show was over.

Laura Leigh, we can always count on you for a great review. Thanks so much!