Vol. 3 No. 1 (Mar. 1, 2005) Page 8

IN THIS ISSUE:

2005 Mardi Gras Review & More!
Page 1
Page 2

Page 3
Page 4


Mark Mullins Interview

Page 5

Meet Robert Vaughn, "Surprise" Engineer
Page 6

Fan Profile / An M.O.M Bites the Dust?
Page 7

What Lurks Below - News from Oz
Page 8

The 4th Annual
Ezra Open
Page 9

The Bootlog
Page 10

Fan Profile - An Ezralite Couple
Page 11

BTE is the Winning Bet at the Seminole Hard Rock
Casino
Page 12
Page 13

Another Ezralite Halloween
Page 14

Meet Stattica / GCB Lights Up With Cigarette
Page 15

News & Links
Page 16

Map of Ezra
Page 17

TTOY Hall of Fame
Page 18

Cowbell Hall of Fame
Page 19

BTE Impressions
Page 20


THE ARCHIVES

Volume 1

Mar. 2003
May 2003
July 2003
Sept. 2003
Nov. 2003

Jan. 2004

Volume 2
Mar. 2004

May 2004
July 2004

Sep. 2004
Nov. 2004
Jan. 2005

 

 

A Column by Pauly, an Australian Ezralite

Greetings from Oz! Lots to tell you about the goings on in the music scene Down Under.  Where shall we begin?

Velvet Revolver (Brisbane Entertainment Centre, Feb 21 2005)
The much anticipated arrival of VR Down Under was far from a disappointment. Although the Brisbane crowd was a little small, and more curious than enthusiastic, the band gave a great performance and left everyone very satisfied. VR were supported by Aussie rock veterans The Screaming Jets, who gave a great set. I spoke with The Jets after the show and they were very privileged to be opening for VR. That moment when the lights go out, and you know that it's a matter of seconds before you're going to have your "ass rocked off" really set the scene for the next 90 mins.

The set began with Duff strapping on his bass, and jumping straight on top of the centre speakers at the front of the stage, with the only light being a few camera flashes and roadies' torches. As he swayed along with the intro music waiting for Matty Sorum's cue, the first 10 rows of fans became wild, squashing each other in appreciation. Slash, like the Rock God that he is, had the crowd in his palm the second he walked on stage... and marked his territory on every inch of it by the show's end. GN'R classics "It's So Easy" & "Used to Love Her" were thrown in to keep the old school fans happy, as were STP's "Crackerman" and "Sex Type Thing."

Scott's vocals sounded a little tired on some of the VR tunes, but in the 2nd encore tune, "You Got No Right," he shined like an angel lost in hell. Word was that there was not a drop of alcohol allowed in the backstage area, because VR are all trying their best to stay clean on tour. Considering their drug fuelled past, they all looked and sounded very healthy. All in all, the Velvet Revolver in Brisbane was one awesome show.


VR at the Brisbane Entertainment Centre
(Photo: Pauly, click to enlarge)

Wave Aid
Possibly THE biggest single-stage event in the last 10 years of Australian music, the Wave Aid bill was the cream of today's freshest Australia's artists. Raising over 2 million dollars for the Tsunami victims from ticket sales alone, the day was a success before it even began. It was very obvious that everyone involved with this event showed nothing but selfless compassion to the cause.

In order of appearance, Wave Aid featured The Waifs, Missy Higgins, Kasey Chambers, Pete Murray, Finn Brothers, The Wrights, John Butler Trio, Silverchair, Powderfinger and Midnight Oil.
Unfortunately I was a thousand kilometres away and couldn't SEE the show, but thanks to Triple J (the greatest radio station in the world) I was able to hear (and record) every performance.

Held at the Sydney Cricket Ground, and modestly priced at A$58, tickets for Wave Aid sold out more than 2 weeks prior to the event.
The most anticipated set for me was definitely the return of Silverchair, and they sounded amazing! I think Daniel's experimental attitude toward the Dissociatives project opened his mind to a whole new approach to playing the old 'Chair tunes. And they were on fire.

The Waifs laid back, unashamedly Australian tone was a perfect entrée for this stellar show and they delivered their set with flawless precision. Missy sounded awesome, as always. Pete Murray had a slightly tougher sound than I've heard in previous performances, and it worked well. The Finn Brothers played a short but biblical set, filled with songs that have soundtracked much of Australian life over the past 15 years.

Probably the most monumental set of the day was by The Wrights - a supergroup containing members from Jet, The Living End, Dallas Crane, You Am I, Spiderbait, Powderfinger and Grinspoon - paying tribute to an Aussie legend Stevie Wright (The Easybeats) by covering his 3 part mega-hit from the seventies, "Evie". If you ask me, it deserved a better drummer than Spiderbait's Kram, but was still an amazing performance.


WAVE Aid at Sydney Cricket Ground, Jan. 29
(click to enlarge)

Powderfinger showed the country that they are human after all, falling all over themselves during the end of "Love Your Way" which brought a comforting eruption from the adoring crowd. Midnight Oil, who came out of retirement specifically for this show, received much praise and respect from all the younger bands performing, and their closing set sounded awesome - until my disc ended after their 3rd song! If anyone is interested in a mp3 disc of (almost) the entire show, or just certain bands feel free to drop me a line and we'll talk deal... 

 


Main State Big Day Out 2005, Jan. 23.

Big Day Out
I left the 2004 BDO predicting that future years would leave me unsatisfied, and as my girlfriend would say "you're always right, aren't you."  Yes honey, I was right. Another sell-out crowd, but on the gold Coast that doesn't mean much.  For most Queenslanders the Big Day Out is not so much a music festival, but the world's biggest BBQ... with some cool bands.  I'd guess that roughly 25% of the 50,000 were actually dedicated music fans who had lined up all day to see their favourite band(s), the rest were just there to get drunk, pop pills, and annoy people like me who were trying to pay attention the live music.

The first act I saw was a band who I've been friends with for a few years now, called The Wall Of Sound. They delivered a tight action-packed set of quirky dysfunctional rock anthems, and the small-but-adoring crowd were very appreciative. Next up were The Donnas on the main stage. Considering I'm a little tired of the whole 'rock copycat' genre these gals were very impressive. But once their set concluded it was time to move to a smaller stage and see an Aussie band show 'em how it's done. Hailing from Sydney, Wolfmother are everything the hype is making them out to be. I had the pleasure of seeing them at the Trocadero 6 months ago, playing to about 15 people. This time they had about 4,000 punters in the palm of their hands... and for me, it was probably the best set of the day. Admittedly, you can hear a lot of Sabbath / Purple / Zeppelin influence in their songs, but unlike a lot of bands they actually pull it off!

Then it was back to the main stage for The Hives, who were excellent. I had only heard bits of them on the radio previously, but these guys were awesome. The really worked the crowd well, and their music was tasty.
Then came The Music, who sounded great... though it was hard to stay focused with the Crusty Demons motorbike show defying death toward the back half of the main stage field. Next up it was time for another Aussie band who just keep getting better with age, The John Butler Trio. I actually shared a plane with these guys on my first trip to NOLA and got to hang with them as they rocked the Parish club back in 2002. They played an awesome set, yet again.

Aussie festival veterans Grinspoon kept the crowd happy for another 'greatest hits' set. Then it was the band I was most interested in seeing... Slipknot. Yes I know they're crazy metal, and they look like something I used to have nightmares about, but damn they can play! Their latest album has some awesome tunes on it, if you can see past the cliché screams and 'fast as I can' drop C riffs. They were awesome. System Of A Down followed with a great set, coming off almost commercial sounding next to The 'Knot. And the it was time for Australia's favourite local band, Powderfinger. They were great, probably awesome, but I've seen them so many times recently, and after 8 hours at the festival I was too tired and sunburnt to be blown away by it, but  they're still one of the best band's in the world though.

Beastie Boys closed the main stage, but I was in no mood for them at this stage of the game, so I trekked over to the Green stage to catch some Polyphonic Spree before heading home. Watching The 'Spree was like being at a big gospel concert for white folk. You couldn't help but smile and develop an unstoppable urge to hug someone. Praise the Lord, I was spent. All in all it was a great day, with some great bands, but in my mind, no Big Day Out will ever be the same after Muse pulverised the main stage in 2004.


Powderfinger Live, Vulture Street Tour,
Brisbane Riverstage, Nov. 30, 2003.
(click to enlarge)

The Band Australia loves to love. I understand that they're finally starting to gain some respectable popularity in the USA now. Someone informed me recently that the 'Finger (as we dub them in Oz) have been signed to Artemis, who are coincidentally the new label to which BTE are signed!

The 'Finger are 5 boys from Brisbane who have gained success the hard way by playing in pubs for years and years, and gradually getting more and more popular with each album. In 2003, they released album number 5, and since then they have pretty much been the biggest band in the country. The album was titled after a street in Brisbane where the band's then rehearsal room was situated. Vulture Street, is one of the greatest albums of recent times, as the massive nation wide sell-out tour reflected in 2003. They have released a live DVD of this tour, and it is more like a movie than just a concert, containing great interviews and random visuals from their life on and off the road. Check out Powderfinger.

Pauly, thanks so much for all the great news from Australia.  Your contributions to the Serenade are always welcome. And Pauly, was kind to provide some downloads for our readers:

1. Missy Higgins, Live @ Wave Aid, Cactus.
2. Powderfinger, Live @ Wave Aid, The New End.
3. Muse, Live @ Earl's Court 12-21-2004, Deadstar.

Powderfinger are indeed finally gaining some U.S. radio exposure.  You might have heard their most recent single "On My Mind" from the Vulture Street disc Pauly mentioned.  I highly recommend the CD.  It kicks ass.

And as of this writing, it appears Missy Higgins smash single "Scar" (co-written with Mr. Kevin Griffin) will start impacting U.S. Radio at the end of May, 2005.  The single is from the album "The Sound of White."