Vol. 2 No. 6 (Jan. 1, 2005) Page 6

IN THIS ISSUE:

2004 Christmas
Show Reviews
Page 1
Page 2

Page 3
Page 4

Page 5
Page 6
Page 7
Page 8

The Bootlog
Page 9

Fan Profile /
More Cowbell!
Page 10

Some Ezra Sights From New Orleans
Page 11

Listening Party Update
Page 12

The Reviews & Pictorials
Page 13
Page 14
Page 15
Page 16
Page 17
Page 18

Page 19
Page 20
Page 21

News & Links
Page 22

Map of Ezra
Page 23

TTOY Hall of Fame
Page 24

Cowbell Hall of Fame
Page 25

BTE Impressions
Page 26


THE ARCHIVES

Volume 1

Mar. 2003
May 2003
July 2003
Sept. 2003
Nov. 2003

Jan. 2004

Volume 2
Mar. 2004

May 2004
July 2004

Sep. 2004
Nov. 2004

 

 

2004 CHRISTMAS SHOWS (CONT'D)

Saturday Night
The Saturday night event was a whole different kind of gig to Friday. More cerebral, in a way, given the nature of the opening performance. Another difference was the welcome addition of Mark Mullins (Trombone) and Barney Floyd (Trumpet). There’s nothing like hearing BTE in New Orleans with a horn section, as you can tell if you’ve seen the DVD Live at the House of Blues.

“King of New Orleans” was again the lead-off song for the night. This time we got the patented KG “finger walk.” And the breakdown was a variation on that of the night before: “Greetings, we’re you’re hometown band – we’re what you’ve got – like it or not!”


"Puuuulllllllll!"
(Photo: ChrisK, click to enlarge)

Segueing deftly once again into “Pull,” the guys rocked it even harder than the night before. Tom was so enthused he literally left the ground for every “Puuuullllllllllll!” This song is such a welcome addition to current setlists. Only a minor technical problem – easily solved by Mike Keel – managed to slow the guys down, but only for a second. Kevin smiling broadly yelled out “thank you Michael!”

“Misunderstood” followed. KG managed to give some unique props to Jim Payne as the song began: “You will all notice James Arthur Payne, Jr. He’s talent and restraint married – and brother – they do the dance all in Jim Payne.” Tom took a moment during the song to stand up his bass in his hands as a silent nod to loved ones sitting in the balcony. The evening wouldn’t be complete without Kevin messing up some lyrics and here’s where it happened this night. Travis laughed at him and they shared a knowing wink and a smile. Lyrical faux pas acknowledged, KG ended the song with an Otis Day “Yeah, Yeah!”

Lucky for me, the horn section of Mark Mullins and Barney Floyd eschewed their usual rear of the stage position to be right upfront where Tom usually stands. They were so close I was concerned (needlessly, of course) about falling victim to the trombone’s “spit valve.” And I was also thankful that the Horns D’Amour this time sported street clothes under their fabulous costumes. There’s just no need for the “mooning” incidents during the DVD taping!


The Horns D'Amour - These Guys Blow!
(Photo: EzraJen)

These guys blow. I swear one time I saw what looked like steam coming from the end of Mark’s trombone. During “Allison Foley” called on them to do solos and they were spectacular. All a stunned KG could say in response was “You just kicked my ass and turned me on!” He then took a moment to kid Tom “Mark and Barney are so modest, not like Tom, he was a child prodigy and it just went to his head.” The horn section remained on stage as “Rolling” came next.

Uncle Mike was the next victim of Kevin’s razor sharp wit and this time Tom piled on too. “Ladies and gentlemen, I introduced him to you last night – David Carradine! Later he’ll show us some of the same (karate) moves.” Tom opined “You may not know this, but if we f*ck up on stage he karate chops us – and it hurts!”

Turning to a more serious topic, Kevin again mentioned the forthcoming album (since reportedly entitled as “Before the Robots): “The new album kicks ass. Shit is off the hook. Next time you see us we’ll be playing an arena or a dome or on a hovercraft cruising Lake Pontchartrain. Oh oh, I’ve just jinxed it!”


Good Enough For a Hovercraft On Lake Ponchartrain? Fans Think So.
(Photo: ChrisK)

 


KG, Saturday Night at the HoB
(Photo: EzraJen)

The song “Daylight”which appears on the new album came next. Thankfully, the horns stayed for this song. I hope horns appear on the CD version as they really add
a spark to the tune done live. The only blemish to the song was when a speaker stack cut out unexpectedly, but only for a moment.

Kevin’s “big rock, butt shake, and thrust” move again started off “Extra Ordinary.” During the song Tom was mouthing something to some of the front row folks. As
the song ended, he stepped up to the mic and thanked everyone for the hats they had given them at the Fan
Club party the night before. Sounded like he would have worn it for the Saturday show too, but according to Tom “my dog ate it!”

Kevin then thanked Howie Day for opening the show that night. According to Griffin: “Howie rode his bike all the way down here from Bangor, Maine.” Not missing a
beat, he introduced “Good” as a song “written the same year that Howie’s was born.” The song rocked even harder than on the Friday night (sans fruit throwing!). It’s at moment’s like this that you realize nothing is better than seeing Better than Ezra in New Orleans.


Travis Frolicking in the Faux Snow
(Photo: EzraJen, click to enlarge)
 

Some Led Zeppelin riffs from “Over the Hills and Far Away”and more came next. Travis picked up the beat and the moment last longer than usual. Then they launched into a fiery version of “Rosealia.” So fiery indeed that KG looked over during Tom’s bass solo and
said reverently, “Damn you’re good!” Travis was not be outdone as he crashed the cymbals with extra force. The song ended with a traditional ending, but with Jim Payne fighting Tom over his mic before doing his “flying jump splits.” Kevin commented that the crowd “should have seen Jim at F&M’s (link) last night.”

Griffin then repeated the previous night’s “stocking stuffer” story. This time, though, when he mentioned the expense of altering the size of the DVD to fit a Standard North American Stocking, several concertgoers took it upon themselves to throw bills on the stage. I spotted a $1 and $5 bills that were then prominently displayed on Tom’s mic stand.

Kevin next lamented that only a select few people had discovered the “BTE Gone Wild” footage hidden on the DVD (M.O.M. alert folks). He said it included footage of Travis down at the Cats Meow (link) singing Cyndi Lauper’s “Time After Time.” He continued “it is complete with blurred body parts, we shot Travis from the nipples down.” Tom then directed the crowd to turn around sometime and watch Brian working the sound board. He then suggested that Brian consider putting a “tip jar” there.


Tom Gets the Led Out
(Photo: EzraJen)

Moving on, a song for the ladies “Get You In” came
next. Griffin noted that “B Majeur is truly the most
seductive of keys.” As the song ended, Kevin
commented how once the “yule log is sparked” no one
does any productive work at least until January 5th.
After this tender moment, the horn section reappeared
for “Recognize.” The song sounds very different with
horns and Kevin was moved to throw out a little of
Depeche Mode’s “Personal Jesus” for good measure.

Commenting on the presence of the horn section,
Griffin then asked Mark Mullins for a “Christmas
melody on the trombone.” What did we get? Mullins
immediately did an impromptu rendition of “Walking in
a Winter Wonderland” and it sounded awesome,
particularly being so close to him as he did it. Not
to be outdone, KG then started a perverse Charlie
Brown-esque rap that ended up with the line “we’ll get
our kicks pulling out our *****s at Rick’s.”

“At the Stars” was next up and the horn section again
nicely complemented the song. Acknowledging their
contribution, Kev mentioned that Mark Mullins is the
“Brass man sh*t in New Orleans” and that he fronts his
own band called, Bonerama. As Jim Payne took
the crowd on his Bonnaroo Festival inspired trip he
and the horn section traded licks and Kevin followed
this up with some of the Grateful Dead’s “Friend of
the Devil.” (more on page 7).