Vol. 2 No. 6 (Jan. 1, 2005) Page 14

         
IN THIS ISSUE:

2004 Christmas
Show Reviews
Page 1
Page 2

Page 3
Page 4

Page 5
Page 6
Page 7
Page 8

The Bootlog
Page 9

Fan Profile /
More Cowbell!
Page 10

Some Ezra Sights From New Orleans
Page 11

Listening Party Update / Book Review
Page 12

The Reviews & Pictorials
Page 13
Page 14
Page 15
Page 16
Page 17
Page 18

Page 19
Page 20
Page 21

News & Links
Page 22

Map of Ezra
Page 23

TTOY Hall of Fame
Page 24

Cowbell Hall of Fame
Page 25

BTE Impressions
Page 26


THE ARCHIVES

Volume 1

Mar. 2003
May 2003
July 2003
Sept. 2003
Nov. 2003

Jan. 2004

Volume 2
Mar. 2004

May 2004
July 2004

Sep. 2004
Nov. 2004

 



 

 

THE WEBSTER THEATRE
BECOMES COWBELL CENTRAL
Webster Theatre, Hartford, CT
Thursday, December 2nd, 2004
by EnglishDave


"Megan, You've Got the Crowd by
 the Short Hairs" - KG
(Photo: Erin, click to enlarge)

By now many BTE fans have witnessed the new cowbell “audience participation” show segment. Editors’ Note: For more information see here. I’ve seen a few cowbell performances by this time. Some people fail to deliver the goods and get replaced. Others do a good, solid job. Some are really good. And then there’s Megan... So let me tell you how this night went, shall I?

The Webster Theatre is located in Hartford, Connecticut. BTE last played the venue in 1999. It was a rather chilly night as we waited outside the venue (of course, if you judged by Floridians Shari and Jim's reaction you’d think the venue was in the Arctic circle!). The venue hosts a lot of bands, many of which are of the “hardcore” variety. Consequently, security is pretty tight, but the security personnel themselves are quite friendly. No one got hassled about cameras.

The crowd filtered in slowly and was a handsome size before the show began. Pat McGee Band put on a rather uninspiring opening set. Although, in all fairness I think this had more to do with the sound mix as they improved greatly the next few times I saw them (and I’d definitely recommend them). Travis came out and lent a hand on their cover of Fleetwood Mac’s “The Chain.”

BTE began their set with “King of New Orleans.” They were in very good spirits. Contrast this to the ‘99 Webster show which was the only time I’ve ever seen Travis in a bad mood. Commenting on the chilly weather, KG told the crowd during the breakdown that they were from the “temperate climes of New Orleans.”

“Misunderstood” followed and then “Allison Foley.” During the latter he threw out a weird cover of Aaron Neville, or was it C.C. Deville? As I said, the venue sound was a bit off that night. “Pull” was a highlight of the show and the crowd responded well to its reappearance after so long an absence.

KG then subtly noted the Webster’s neighborhood is a little – how shall we say – dicey? He said the most exciting part of their evening was walking the few blocks from the venue to the “creepy” Fireside Inn. Having dissed the ‘hood, the guys kicked into “Rolling.” As Jim Payne started up the “Live Again” piano intro, Kevin gave him props. Afterwards Tom plugged the new DVD. Kevin plugged the forthcoming new CD. “The MAN has been keeping this band down too long. We’re just too controversial. F*CK THE MAN!”


KG At the Webster Theatre
(Photo: Erin, click to enlarge)

“Extra Ordinary” then lit up the crowd for a singalong. At one point Kevin, going into falsetto mode, pointed to the front row and said “you wish you could play guitar like this!” As the song ended his searched his mind vainly for a Connecticut band to cover. He began to sing Kansas “Dust in the Wind” and asked the crowd slyly “isn’t Kansas from Connecticut?”

The band then opened up with both barrels and unleashed “Good” and “Rosealia” with a Neil Young “Sugar Mountain” cover for good measure. After Jim Payne did his drum-riser jump splits, he said something KG didn’t catch leading him to quip: “Whatever you say Jim, I agree with you!”


Tommy D. Leans Into the Groove in Hartford
(Photo: Erin)

 

Taking a moment to contemplate, Kevin did an impromptu cover of Marcy Playground’s “Sex and Candy” which seemed to surprise even himself. After a soulful “Get You In” he asked Tom when they had last played Hartford. As the crowd shouted back “1999,” he said “2001." As if to reinforce his error, he adopted a goofy grin, pointed to his own head, and said “No, it was 2001, my mind is like a steel trap.” OK, it might be a steel trap, but it’s getting a little rusty...


Jim Payne Steps Up to the Mic
(Photo: Erin)

“A the Stars” was next up with both Jim’s “trippy Bonaroo” moment and KG’s cover of the Dead’s “Friend of the Devil.” “A Lifetime” followed with a crowd singalong and Kevin pointing far to the back of the venue as “the sun came up.” And next a drum huddle of Jim, Travis and Tom preceded a particularly fast and rocking version of “Sincerely Me.”

Barely pausing for a moment, the guys kicked into the classic “In the Blood,” this night it would host the cowbell “audience participation” segment (the first I’d seen). Mid-song Kevin called for a volunteer to “take the crowd over the precipice,” someone with rhythm to “to take us over to the Dark Side.” The volunteer? The Amazing Megan.

Now, Megan’s a drummer by training, but that’s not what made her performance truly spectacular. KG instructed her that “The concert hall is your canvas and the cowbell is your brush.” And did she ever?! She vamped. She strutted. She smiled. She grinned. She stomped, she giggled. She kept perfect time as she cavorted across the stage. Noting her abilities Tom whispered: “Can you do the ‘running man?’” And she did. Wow. I honestly don’t think we’ll ever see a better cowbell performance.  Kevin dubbed her a "Golden Goddess."


Trabby in Motion
(Photo: Erin, click to enlarge)

After this climactic performance the band left the stage to thunderous applause.  Hartford was coming alive.  The room had gone over the precipice.  Up next?  Kevin emerged to begin the acoustic portion of the encore with his solo cover of The The's "Love is Stronger than Death."  A delightful and meaningful tune.

Crowd favorite "Porcelain" came next, also done acoustically.  Travis left his normal perch on the drum riser to come down to play his new-fangled mini-kit.  This wasn't the same old classic version of the song or the "Voodoo" or "Toe Curl" version fans had also come to know and love.  In fact, the song was a sort of hybrid of the two.  Jim Payne's laid down some soulful keyboard work as the backdrop for a more or less classic acoustic rendition of the song.  The result was pure magic.

As the guys switch to their electric instruments and regular positions, KG upturned his collar to adopt the classic "Valley Girl" look.  He chuckled and said that they should really kick into "Melt With You" by Modern English but "no, I shan't do that!"  Too bad, last time was saw that move was in New Orleans at the 2003 Christmas shows.

Never a group to leave a crowd disappointed -- and definitely a group to leave the crowd wanting more -- the band finished their set with a rousing version of "Desperately Wanting." Mid-song featured a "Bruce Throwdown" along with KG's "lunar walk" plus a cover of Nelly's "Ride Wit Me."  After all the fun and games, Kevin got the crowd "jumping up and down like this" as BTE made Hartford really glad they had come back to town after such a long absence.

Great show.


Megan Leads the Band
(Photo: Erin, click to enlarge)

Click here for a recap of the setlist.